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Elias Lopez
Elias Lopez

JAZZ ROCK MODERN MUSIC RADIO VIDEOS [UPD]


The first chart published by Billboard was "Last Week's Ten Best Sellers Among The Popular Songs", a list of best-selling sheet music, in July 1913. Other early charts listed popular song performances in theatres and recitals in different cities. In 1928, "Popular Numbers Featured by Famous Singers and Leaders" appeared, which added radio performances to in-person performances.[6] On January 4, 1936, Billboard magazine published its first pop chart based on record sales.[7] Titled "Ten Best Records for Week Ending", it listed the 10 top-selling records of three leading record companies as reported by the companies themselves. In March 1937, the "Songs with the Most Radio Plugs" chart debuted with data from a separate company. In October 1938, a review list "The Week's Best Records" was retitled "The Billboard Record Buying Guide" by incorporating airplay and sheet music sales, which would eventually become the first trade survey of record popularity.[6]




JAZZ ROCK MODERN MUSIC RADIO VIDEOS



In the July 27, 1940, issue, the first "Billboard Music Popularity Chart" was published for week ending July 20,[8][9] with separate listings covering retail sales, sheet music sales, jukebox song selection and radio play. Among the lists were the 10 songs of the "Best Selling Retail Records", which is the fore-runner of today's pop chart, with "I'll Never Smile Again" by Tommy Dorsey its first number one.[6][9] The final accolade of a successful song was a position on the "Honor Roll of Hits", introduced in March 24, 1945, initially as a 10-song list,[10] later expanded to 30 songs, which ranked the most popular songs by combining record and sheet sales, disk jockey, and jukebox performances as determined by Billboard's weekly nationwide survey.[11] This chart amalgamated different records of the same song by different performers as one, and topping the first chart was "Ac-Cent-Tchu-Ate the Positive". In 1955, a composite standing chart that combined retail sales, jukebox and disk jockeys play charts but counted individual record separately was created as "The Top 100" chart, with "Love Is a Many-Splendored Thing" by The Four Aces its first No. 1.[6] This chart is the direct predecessor to the current Hot 100 chart. The jukebox chart ceased publication after the June 17, 1957, issue, the disk jockey chart after July 28, 1958, the best-seller chart after October 13, 1958, and the Honor Roll of Hits after November 16, 1963.[12] After July 28, 1958, the composite chart the "Top 100" chart was also discontinued;[13] and the "Hot 100" began the following week on August 4, 1958, listing "Poor Little Fool" by Ricky Nelson as its first No. 1.[14][15] The Hot 100 currently combines singles sales, radio airplay, digital downloads, and streaming activity (including data from YouTube and other video sites). Many Billboard charts use this basic formula apart from charts dedicated to the three data sources: sales (both physical and digital), airplay and streaming.[16]


Billboard also publishes various music genre charts. "Harlem Hit Parade" was created in 1943 which became "Best-Selling Race Records" in 1948 and "Best-selling Rhythm & Blues Records" in 1949, and then "Soul Singles" in 1969 (currently Hot R&B/Hip-Hop Songs). "Best-selling Folk Records" was published in 1948, and this morphed into "Best-Selling Country & Western Records" in 1949, "Best-Selling C&W Records" in 1956 and "Hot Country Singles" in 1963 (now Hot Country Songs). MOR charts has been published since 1961, variously called "Easy Listening", "Middle-Road Singles" and "Pop-Standard Singles" and now Adult Contemporary.[6] Billboard charts now cover these music genres: rock, pop, country, dance, bluegrass, jazz, classical, R&B, rap, electronic, Latin, Christian, world and holiday music, and even ringtones for mobile (cell) phones.


For many years, a song had to be commercially available as a single to be considered for any of the Billboard charts. At the time, instead of using Nielsen SoundScan or Nielsen Broadcast Data Systems (BDS), Billboard obtained its data from manual reports filled out by radio stations and stores. For different musical genres, which stations and stores are used separates the charts; each musical genre has a core audience or retail group. Each genre's department at Billboard is headed up by a chart manager, who makes these determinations.[citation needed] According to the 50th-anniversary issue of Billboard, prior to the official implementation of SoundScan tracking in November 1991, many radio stations and retail stores removed songs from their manual reports after the associated record labels stopped promoting a particular single. Thus, songs fell quickly after peaking and had shorter chart lives. In 1990, the country singles chart was the first chart to use SoundScan and BDS.[23] They were followed by the Hot 100 and the R&B chart in 1991.[24] Today, all of the Billboard charts use this technology.[citation needed]


In December 1998, the policy was further modified to allow tracks to chart on the basis of airplay alone without a commercial release. This change was made to reflect the changing realities of the music business. Previous to this, several substantial radio and MTV hits had not appeared on the Billboard chart at all, because many major labels chose not to release them as standalone singles, hoping their unavailability would spur greater album sales. Not offering a popular song to the public as a single was unheard of before the 1970s. The genres that suffered most at the time were those that increasingly impacted pop culture, including new genres such as trip hop and grunge. Among the many pre-1999 songs that had ended up in this Hot 100 limbo were The Cardigans' "Lovefool", Natalie Imbruglia's "Torn" (which peaked at 42), Goo Goo Dolls' "Iris" (which hit number 9), OMC's "How Bizarre", Sugar Ray's "Fly", and No Doubt's "Don't Speak".[citation needed]


Starting on February 12, 2005, Billboard changed its methodology to include paid digital downloads from digital music retailers such as Rhapsody, AmazonMP3, and iTunes. This change also allowed songs to chart with or without the help of radio airplay. This meant that a song did not need radio airplay to be eligible to chart on the Billboard Hot 100. With this policy change, a song could chart based on digital downloads alone.[25]


In October 2012, Billboard significantly changed the methodology for their country, rock, Latin, and rap charts, when it incorporated sales of digital downloads and streaming plays into what had been airplay-only charts. Another change was that rather than measuring airplay only from radio stations of the particular genre, the new methodology measures airplay from all radio formats.[27] This methodology was extended to their Christian and gospel charts in late 2013.[28] These methodology changes resulted in higher positions on the genre charts for songs with crossover appeal to other genres and radio formats (especially pop) at the expense of songs that appeal almost exclusively to core fans of the given genre, which was controversial with those devotees.[29]


On February 20, 2013, Billboard announced another change in the methodology for its charts that incorporated YouTube video streaming data into the determination of ranking positions on streaming charts. The incorporation of YouTube streaming data enhanced a formula that includes on-demand audio streaming and online radio streaming. The YouTube video streams that used in this methodology are official video streams, Vevo on YouTube streams, and user-generated clips that use authorized audio. Billboard said this change was made to further reflect the divergent platforms of music consumption in today's world.[30]


Many consider pop music to be its own genre. However, the reality is that pop music is a style more so than a genre, because it combines elements of different genres like rock and roll, disco, dance, electronic music, and rap among others.


Pop music originates from various other musical genres such as ragtime, jazz, big band orchestra, blues and rock and roll. Pop music is also influenced by African American culture. It incorporates elements of these genres and continues to evolve with what is current and popular to generate new music.


The term "pop music" refers to a combination of multiple highly popular musical genres within a society. The term "genre" identifies musical pieces as belonging to a shared tradition or set of conventions more or less accepted by the vast majority of music experts. Music authors David Hatch and Stephen Millward defined pop music as "a body of music, which is distinguishable from popular, jazz, and folk music." Although pop music is often thought of as only chart-oriented singles, it is a musical style that is not necessarily the sum of all the music charts, which have always featured songs from a variety of different sources. Thus, the term "pop music" can be used to describe an independent genre, aimed at a young market, often characterized as a softer alternative to rock and roll.


Currently, pop music is very eclectic and adaptable as it borrows elements of different styles. Nowadays listening to pop music is part of our daily life, whether on the radio, the Internet, television, advertising, or in shops; pop music is part of our culture.


What are some of your favorite songs? What genre of music does each one belong to? Are any of the songs classical? Or maybe you like folk music, rock and roll, or even heavy metal. Classical, folk, and rock and roll are all examples of different genres, or types of music. For example, pop music is another example of a musical genre.


Pop music is an abbreviation of the word 'popular.' It's a contemporary form of music that appeals to a very wide audience. It often includes a danceable tempo, easy to remember lyrics, and simple notation. Pop music is commonly found on mainstream radio stations and across a range of countries and cultures. 041b061a72


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